Description
of Cumbrian Kaleidoscope
Sue
Banister's poem 'Spring Willy Nilly '
is a distinctive take on the season.
Sally
Bohling's 'Autumn Mist on the Glenderamackin ' leads us
into ghostly mystery; her 'Blencathra' expresses the attraction,
for some, of the 'eternal' mountains; and 'Rune Stone' encourages
us to bridge the gap of years.
Dorothy
Chalk's poem recalls 'One Spring Day' behind her home,
(for those disturbed by the last line, the farmer lives next door);
her 'First Impressions' a prose piece remembers her first sight
of that house; and her second 'November 1965', her first winter
in residence, viewing the garden path from the other direction.
Dorothy
Crowther's prose piece charts her connection with 'Mungrisdale';
and her poem 'Magnetic Cumbria' helps us to feel that magnetism.
Sally
Dalglish gives us two poems, one describes the making of
a delightful meal and the starter is 'Watercress Soup'; the second
'The Glistening Journey' leads us up a familiar track, always seen
anew. In both her love of water refreshes.
Jill
Faux gives us two prose pieces, one takes us on 'A Walk
in the Woods' through the seasons; the second 'Transformation' warns
us of the sudden changes in our everyday Cumbrian weather.
Clare
Goulder takes us with her to a 'Carol Service' in a Cumbrian
church.
Jill
Jackson's poem 'Earthshine', read it aloud to enjoy the
music. Her two prose pieces take us back half a lifetime to some
of the regular problems of hill farming; 'A Pint at the Pub' was
earned at lambing time; and later we read of 'Shearing Time'.
Elizabeth
Josh's poem 'Like the Beech Tree' looks at the human diversity
of our countryside. Her two prose pieces depict winter, 'Happiness
was a Winter's Day' enhanced by a two-year -old's enjoyment; 'The
Watcher' gives us one of Elizabeth's intriguing interactions with
the fauna of her neighbourhood.
Hazel
Lee's prose piece 'Our Heritage' links Wordsworth and Westminster
Bridge with her own experience of the Newlands Valley. She charts
the progress of her Game season in 'Game, Set and Match'.
Angela
Locke's poem 'Fibula' uses knowledge, skill and imagination
to recreate the past of a museum piece.
Ann
Miller, in one of her rare prose pieces 'Stainmore to Brough',
fights her way home through the snow.
Sylvia
Stevens poem 'Blencathra Evening' paints an evocative picture.
Vi
Taylor's poem "The Choir Boy" blends art and
music to record one of the moments when a mother realises her son
is growing up and away. Her second "The Tryst at the Crown
and Mitre" recalls past youth; the third "Blencathra"
faces up to old age.
Finally "The Renegade" gives the other side of the coin
to Elizabeth Josh's "Like the Beech Tree".
We
could not resist ending with one of her Lakeland limericks.
Dorothy
Chalk
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